Thursday, March 12, 2020

Using a Birding Hideout to Capture Fine Art Quality Backyard Bird Images

Submitted by Keith Bridgman

It was an ordinary tree limb about an inch or so in diameter lying on the ground with a graceful arch extending across and above the ground. Along its length a few smaller branches poked out here and there at random places. A  background of crossing brambles lay about thirty feet or so behind and caught the full sun. Around the arching tree limb were placed several cedar stump-like logs and other assorted greenery along with rustic looking logs to provide a sampling of natural habitat foliage. Here and there black sunflower seeds we scattered placed at strategic locations to attract the myriad of songbirds that made this small corner opening at the edge the woods home. Before long, a brilliant crimson Northern Cardinal landed on the limb and raised his crown as if to proclaim this perch as his own. I moved the camera slightly to my left, focused on his eye, then recomposed and fired off a series of images. The resulting final image could possibly be the single best bird photograph I've ever taken...all made possible by shooting from inside the confines of a simple birding hideout.


Birding is a hobby I've casually pursued off and on for many years. I have a decent bird sighting list I've kept up...sometimes, however, I've never seriously attempted to photograph these fascinating feathered friends until recently. Mostly I've just taken snap shots and spent time afield watching them, except on rare occasions.

My wife Kris has been the bird photographer in the family using a simple point and shoot zoom camera, she has captured some amazing photographs just by shooting them from the deck or through the bedroom window while they use the bird feeders. She and I both wanted something more, something that might offer the opportunity to not only see a wider variety of birds, but to capture them in their natural habitat. So I was prompted to construct a simple bird hideout.




Okay...I'll admit it...I sort of over-constructed this thing, but I wanted something that was semi-portable, yet substantial enough to provide not only a good hiding place for bird photography, but something that would provide a element of weather protection. It's not waterproof, but does protect from the cold winter winds.


Commercial blinds are available and they work quite well and are designed to be portable. In many cases all that is required is simply something bland to sit behind to disguise your movement. The idea is to reduce the distance between the camera and the subject thus making it possible to capture more detail and to allow the birds to act in their normal manner. I constructed this one using an old studio backdrop as the main covering, then covered it with two strips of brown burlap which I painted in a camo pattern using flat black and flat brown spray paint. The main covering was simply draped over a rope that was tied between two trees and then staked down at the corners to create a type of A-frame tent-like structure. The burlap was simply draped over it and held in place by using short pieces of twine to tie it together. I also used a couple of long branches wedged into the ground and extended outward to "inflate" the material from the inside to provided for more head room.

I covered the ground inside the blind with a thick layer of straw, to prevent it from becoming too muddy, and placed two short, about three inches tall, wood platforms to sit on. Holes were cut at strategic locations to allow for the camera lense to look through. The idea here is to be able to see and capture the birds at close to eye level...on the same plane...without looking down or up to them. This helps to isolate the birds against a suitable background and give the images a more intimate appeal.

About five yards or so in front of the hideout I placed a series of natural props including cut logs, natural logs, tree limbs, greenery, and other assorted things for a feeding area. The idea is to be able to change it up from time to time...add to it, remove things, re-arrange, that sort of thing to maintain a fresh look. It's also important to provide perching locations near the feeding station as the birds tend to briefly stop on perch's to make sure it is safe before dropping onto the feeding area. I've added to and modified my setup numerous times since the first installment.

Just as important as the props is the background which should be several yards behind and provide a solid yet diffused assembly of natural foliage. Treelines, brambles, bushes, brush piles, dirt mounds, a distant hill, a shaded area, just about anything natural will work, it just needs to be separated several yards from where you want the birds to land. You will also want the prevailing light to come from behind you in most cases. As with the props, you can get creative with the placement of your hideout to best take advantage of the light. In the summer, the area I use will also have a natural growth of wild flowers which will enhance the scenic value of the birding photo opportunity.


As far as attracting the birds, I use black sunflower seeds mostly which can be purchased at any location that sells birdseed, but I also use peanut butter mixed with ordinary birdseed to make a kind of suet that is wedged into small holes drilled into the props. Things like Mill Worms and fruit rinds also work and will attract a wider variety of birds and possibly other kinds of wildlife in the long run. Woodpeckers especially like old semi-rotting limbs that harbor insects and such, so by hanging them onto longer limbs wedged into the ground like a pole, you enhance the ability to attract those fascinating birds. You can even toss out some "road-kill" to attract birds like vultures and possibly even birds of prey. It can sometimes take a few days even up to a week for the birds to find the offerings and get use to the blind being there, so be patient.

Shooting from a birding hideout offers a tremendous opportunity to capture high quality, fine art level photographs of songbirds. The type of equipment to use depends a great deal on your budget, but realistically you will need a zoom or telephoto lens, something in the range of 300mm to 600mm. A typical 70 - 300 zoom lens will work pretty well. Having something that reaches out to 400, 500, or 600mm will simply allow you capture more closeup detail. You will also want to shoot using as fast of a shutter speed as you can. This of course depends on the light and f/stop of your lens. The f/stop also plays an important role. A relatively large opening like f/4 allows for nice blurring of the background, but it also reduces the depth of field making focus all the more important. I tend to shoot around f/6.3 to f/8.0 which at 500mm will still give a nice blurring to the background but allow for a bit wider depth of field and sharper focus. Pushing the ISO up to 800, 1600, or higher will allow for faster shutter speeds but it also generates a greater amount of digital noise, so it's a bit of a trade-off. Just experiment with your camera until you feel comfortable with its capabilities. Shooting from a tripod certainly helps to capture clear and sharp images. There is even opportunities to shoot video footage of your backyard birds.


Focus is also important. You should always focus on the eye of the birds using single point focus. Most cameras allow you to move that single focus point around to aide in composition, but simply using the center point as the focus point, you can easily recompose or crop your image to obtain the result you want.

So there you have it, in a nutshell, using a birding hideout can certainly provide a great deal of enjoyment and an often welcomed change of pace for your photography. Hope you can give it a try.




Monday, February 17, 2020

Alan and Sheila Reeves’ Tanzanian Safari

Submitted by Sheila Reeves



Hot and tired from fending off a dozen hyenas and half that many jackals from its buffalo kill, the big male lion plopped down in the shade created by our safari vehicle. Flies crawled over his face, congregating especially in the corner of his eyes and nostrils. His heaving body was about 10 inches below the open window. There was a temptation to reach out and pet him.


This is Tanzania!

After 23 hours of travel, we set out on an awesome adventure with Steve Gettle Photography and Mazingira Safari Tours! (The day before the trip, Steve Gettle’s father died. He and Nicole Suddeth joined us for the last 4 days of the safari.)


There were eight photographers in three vehicles. In addition to the windows, the entire top of the safari vehicles lifted up about 2.5 feet, so that cameras could shoot above the vegetation.


After several hours of sleep at Rivertrees Lodge, we had breakfast and departed for Tarangire National Park. Tarangire is known for its large herds of elephants as well as the variety of plains animals and birds. It did not disappoint! On the first game drive we saw elephants, giraffes, a leopard, a dik-dik, impalas, jackals, baboons, mongooses, monkeys and warthogs, as well as lilac-breasted rollers, red-billed hornbills, yellow-billed hornbills, magpie shrikes, fish eagles, Egyptian geese, Orange Bishops, Superb Starlings and more! 



We spent most of two days in the field before checking in at the Tarangire Sopa Lodge (elevation:5000 feet). We caught our first glimpse of Hippos, as well as impalas, waterbucks and Thompson’s Gazelles (Tommies).

Then, we headed out for another morning game drive in Tarangire National Park before driving along the wonderful scenic route to Ngorongoro Crater. It was a very muddy, rainy, scary drive!

We arrived at Ngorongoro Sopa Lodge (elevation: 7000 ft), our home for the next three nights. The next morning, we descended 2000 feet into the crater for an all-day game drive. We saw a wide variety of wildlife that call the crater home: lions, zebras, elephants, gazelles, wildebeests, warthogs, hyenas, cape buffalo, jackals, and an abundance of bird species. The crater is actually a caldera formed when the volcano collapsed.



Then, we headed for the Serengeti, enjoying a game drive along the way to the Ndutu Safari Lodge (elevation: 5300 ft). We would call this lodge home for four nights.


In the Serengeti, we were able to go off road! We left before sunrise on Friday, January 31st and enjoyed a safari breakfast in the bush. We spent three long days exploring this area. One of the highlights was having a meal in the field surrounded by thousands of wildebeests and zebras. The animals did not come close when we were out of the vehicles, but every direction we looked, they lined the horizon. Another highlight was coming upon a newborn wildebeest. Our drivers/guides told us it was probably just an hour or two old. When we first stopped to observe, the baby was standing on wobbly legs, but in a few minutes, it was walking, and a few minutes later, it was running. The babies need to be able to keep up with the herd within hours of birth.



We left Ndutu, and enjoyed another game drive as we travelled to the Ngorongoro Farm House, where we arrived for lunch. It was pouring down rain when we arrived. January and February are supposed to be the dry season in this part of Tanzania. But this year, it had rained at least a little EVERY day since October. There has not been a dry season. The only day of our trip with no rain was the day we left.




On our last day in Africa, we packed up for our return home. We drove to Arusha where we had a leisurely lunch at Jacob’s home, prepared by his wife. After lunch, we spent a few hours at the Cultural Heritage Centre in Arusha before heading to the airport for a very long journey home!

The lodges were all very nice. We had plenty of food. The driver/guides were competent and extremely knowledgeable. We felt well cared-for. We saw some amazing sights and took some really fun photographs. It was a grand adventure!

And if electricity, hot water, and Wi-Fi were in limited supply? Well, that is Africa!

Sunday, February 16, 2020

Nature Group Travels to Reelfoot Lake

Submitted by Julie Barrick

The Nature Group had a great adventure last weekend, February 7 - 8, at Reelfoot Lake in Tennessee. Twelve people went, nine Sunny Sixteen members and three spouses.


We were so fortunate to have a local photographer show us around the area. As soon as we arrived at Reelfoot on Saturday, we met up with Jere Hughes and his adorable dog, Harlie. We consolidated cars and headed out looking for eagles. Jere took us to several places in the area where we saw several eagles, geese, ducks, and deer. Jere was a great man full of knowledge for potential animal sightings both now and other seasons of the year.


One of the most fun things we did and most successful was riding the levees along the Mississippi River. There are several eagle nests along the levees including one that you can approach very close. On Sunday both eagle parents were at this nest. One in the nest and the other right above it. We enjoyed hearing them talking back and forth to each other.



We stayed at the Blue Bank Resort, and all twelve of us had dinner together there that evening. The food was yummy!


The Next morning we headed out early looking for more eagles. Some went their own direction and some ventured out together. We were treated to some really good eagle sightings that day and thousands upon thousands of Snow Geese and Greater White-Fronted Geese. Seeing all the geese virtually take off at once is a sight to behold.



I think everyone had a great time! Thanks to all who went!



******We are in the early stages of planning a very exciting trip for March 2021. We are going to Kearney, Nebraska to see          "The Great Migration" of Sandhill Cranes. Stay tuned for more details!******



Saturday, February 15, 2020

How Was it Done - Turning Day into Night - A Closer Look

Submitted by Keith Bridgman


Photographing backyard birds from a bird hideaway is often a great deal of fun and filled with anticipation. It is a type of photography that almost anyone can do using a few basic principles and a little patience. Using a simple blind setup allows a photographer to get within a few yards of most backyard birds and by applying a little bit of ingenuity, you can attract a great many types of birds thru all seasons of the year.


One thing that becomes noticeable over time is more often than not, you end up capturing the same kinds of birds the same ole way...over and over. After a while your photo's begin to all look alike. It can become a bit repetitious. To avoid experiencing birding burnout, try shaking things up from time to time.

Simply rearranging your feeding area where the birds are attracted can create a new look. But, even this has its limitations. So why not try something out of the ordinary...like...turning day into night and photographing your backyard birds in what appears to be a night time situation.

Turning day into night...uh, well yeah, it can be done...with a little understanding of photographic principles. Simply stated...you do it by using Speed Lights.

Let's take a look at the attached photo of a Red-Bellied Woodpecker at the top of this post. At first glance it appears to have been taken at night, but, in reality, it was taken in broad daylight in the middle of the afternoon.

The idea is actually quite simple, but you gotta set your camera on Manual. Oh my gosh...the dreaded Manual Mode...I could never do that. Well...trust me...yes you can. Here is how it works.

Set your camera on a tripod locking securely. Set your camera to Manual. Set your ISO to the lowest value your camera will allow...probably 100 or maybe 200 depending on the camera. Manually select the fastest flash Sync shutter speed...most cameras are 1/200 or 1/250 of a second. Some allow for what is known as High Speed Sync...but we won't go into that because it is not necessary to accomplish what we want to do. You will also want to use a long telephoto lens, something in the neighborhood of 300mm works fine, but, if you have one, a 400, 500, or even 600mm lens works even better. Your camera and tripod should be set up so you are looking at the bird from eye level and placed about 5 yards or so away. This requires some forethought in setting up your feeder/attractor arrangement.

In just a moment we will set the Aperture, but let's do this first. When you are photographing backyard birds from a blind, usually you will obtain better results if there is a solid background several yards behind where the birds will be perching. Most of the time something that is a neutral color like a green hedge or a group of trees or something along that nature works pretty well. This provides for a soft and unobtrusive background which allows for the birds to be separated from any kind of distracting clutter. Take a look at the photo below taken on a cloudy day and you will see what I mean.


Okay...now here is where we explore an element of photography that a lot of photographers tend to shy away from: using an external flash unit. We're not going to go into the fine details of this interesting element of photography..we're just going to explain how to employ a flash to turn day into night.

After having made the preliminary setup, the next step is to eliminate as much of the ambient background light as you can. Even on a sunny day, you can do this by simply cranking up the aperture (in manual mode) to something like f/22 (a very small opening) or higher. When used in conjunction with the highest flash sync speed of the camera and a low ISO (never use AUTO ISO trying to do this), the background will simply go dark as a result. In fact, your whole image will go dark...and this is exactly what we want to do.

One more thing, you will probably want to use manual focus as well. Just simply pre-focus on where the birds will perch and by using an aperture of f/22 you will not have any issues with Depth of Field as the birds will be in focus. Auto focus can be used, but the birds drop in and out so quickly, it is sometimes difficult to get the camera to focus before the birds are gone.

So, at this point you should have your camera and telephoto lens set on a tripod. Your camera should be set on manual mode with the shutter speed set to 1/200 of a second and your aperture set to f/22 or higher. Any photos you take should be just about completely dark.

If so, now we need to add in some light...that is where an external speed light comes into play. It matters very little what brand, as long as the flash unit can be fired remotely from the camera. I use Godox flashes using a separate Godox transmitter attached to the camera's flash hot shoe.

You can do this with a single flash, but two are better where three might add in some extra lighting depth. I used two...look at the setup photo below.


One flash set to either side and slightly behind of where the birds will perch/feed. Both are about 2 feet from the perch and angled down to illuminate the feeding location. The power settings on the flash units will vary, but in this particular instance both were set to 1/2 power and zoomed to around 50mm (most flashes allow for a focused flash adjustment from 24mm to 105mm).

Now it was just a matter of waiting for one of the birds to show up...and it didn't take long. I only placed food for the birds on one location...the stump you see in the setup image. This was to insure any birds would all come to the same place plus i had been feeding them for a few weeks prior to this so they were accustomed to having food provided for them.

The introduction of the flashes on their stand did not appear to cause any problems and the flashes themselves did not seem to bother the birds.

So there you have it...it took a while to get there, but that's how you turn day into night and allow for some interesting backyard birding photo ops.